A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, ... See full summary »
Two young men from the same town but different social classes end up as fighter pilots in WW1. Jack Preston is a keen auto mechanic, building and modifying cars. David Armstrong comes from a wealthy family. They are both in love with the same woman, Sylvia. Her heart belongs to David but she doesn't let Jack know and plays along with his infatuation. Meanwhile, Jack's neighbour, Mary, is deeply in love with him but he just views her as a friend. WW1 interrupts the romantic entanglements as Jack and David enlist in the US Army Air Service (Air Service of the AEF at the time). They are initially bitter enemies, due to them both vying for Sylvia's affections. Over time, however, they become very good friends. They are both posted to the same fighter squadron in France, where being a fighter pilot means every day could easily be your last. Written by
When a preview was shown in San Antonio, Texas in the spring of 1927, the film was fourteen reels long. It was cut down to thirteen for final theatrical release. See more »
The film is set during the years 1917-1918. However, most of the female civilian clothes and hairstyles are contemporary with the late 1920s, particularly the clothes worn by Clara Bow in the home sequences and in the Follies Bergere sequence. Bow's and almost all the other female characters have bobbed hair, common in 1927 but almost non-existent during World War One. See more »
Sergeant in Mervale:
Hey, if youse guys need kissin' *I'll* kiss you - wit' a gun-butt!
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I was fortunate to view this film at the Academy of Motion Pictures' Diamond celebration screening series for all the Best Picture winners last year. A newly restored print in pristine condition was beautifully paired with a live performance of the musical score by an eleven-piece ensemble. As a relative novice to silent era films I was struck by the acting, aerial stunt work, sophisticated camera work and great storytelling. As I was watching I couldn't help but think that this 1927 film has so much more to offer than many contemporary attempts at the war/action genre.
As the trend for releasing forgotten classics on DVD continues, I make a very loud plea to add Wings to the list. This masterful bit of film-making history deserves a much wider audience.
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