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Metropolis (1927)

Not Rated | | Drama, Sci-Fi | 13 March 1927 (USA)
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In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

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Writers:

(screenplay), (novel)
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Top Rated Movies #109 | 6 wins & 4 nominations. See more awards »
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Cast

Cast overview:
...
...
...
Fritz Rasp ...
The Thin Man
Theodor Loos ...
Josaphat
Erwin Biswanger ...
...
...
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Storyline

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". Freder wants to help the plight of the workers in their struggle for a better life. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. an inventor called ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

There can be no understanding between the hands and the brain unless the heart acts as mediator. See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 March 1927 (USA)  »

Also Known As:

Metrópolis  »

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Box Office

Budget:

DEM 6,000,000 (estimated)

Opening Weekend USA:

$19,386, 14 July 2002

Gross USA:

$26,435, 13 November 2011
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (premiere cut) | (re-release) | (1927 cut) | (2002 Murnau Foundation 75th aniversary restored) | (DVD edition) (2002 Murnau Foundation 75th aniversary restored) | (Giorgio Moroder) | (2010 restored)

Sound Mix:

(1995 restored version)| (original release)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The effects expert Eugen Schüfftan created pioneering visual effects for Metropolis. Among the effects used are miniatures of the city, a camera on a swing, and most notably, the Schüfftan process, in which mirrors are used to create the illusion that actors are occupying miniature sets. This new technique was seen again just two years later in Blackmail (1929). See more »

Goofs

In the Kino Video DVD, the cityscape shot that ends in Chapter 7 (at around 1 min) is cut short. It ends before a dirigible crosses the top of the shot flying from right to left. The dirigible appears in the Madacy Video DVD in Chapter 3 (at around 21 mins). See more »

Quotes

C.A. Rotwang - the Inventor: She is the most perfect and most obedient tool which mankind ever possessed! Tonight you will see her succeed before the upper ten thousand. You will see her dance...
See more »

Crazy Credits

Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »


Soundtracks

Here's My Heart
Music by Giorgio Moroder
Lyrics by Pete Bellotte
Performed by Pat Benatar
Courtesy of Chrysalis Records
(from the 1984 re-release)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Restored Kino DVD changed my view of this film.
13 March 2004 | by See all my reviews

I doubt that I'd ever seen anything resembling a "complete" version of METROPOLIS before, though certain of its scenes were familiar to me, if only as used and abused in such films as Diane Keaton's HEAVEN (1987). In any case, whatever I had seen before had nothing like the clarity and beauty of the Kino restoration. I expected to be distracted by the restoration's technique of concise written descriptions of missing sequences, but the narrative coherence that these provided was definitely worth it. As "exaggerated" as the style of acting seems by contemporary standards, some performances, such as the Master of the city, are amazingly nuanced and layered, and Brigitte Helm is stunning as both Maria and her evil clone. The meticulous design of the film, the unerring camera placement and Lang's muscular choreography of the crowd scenes are breathtaking. I'd thought of METROPOLIS as a curiosity ("important" = "dull") but now I've come to appreciate it as the seminal work it has always been.


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