The Mad Whirl (1925) Poster


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Alpha to the Rescue!
JohnHowardReid30 August 2012
Warning: Spoilers
What a difference 11 minutes can make! A 72-minutes version of this delightful movie is now available on a really excellent print from Alpha. But first, here is my review of the 5-reel (65 minutes) Kodascope cutdown: Available on a very good Grapevine DVD, this well-made and often effectively directed Universal feature retains the viewer's interest despite its preachy, pro-Prohibition script that seems to change horses in mid-stream. At first, the movie's rich, hard-drinking, partner-swapping idlers are regarded as items of amusement. In the film's final reel (or at least in the Kodascope cutdown's final reel), however, this amused tolerance suddenly changes to a vicious condemnation which caught me right off guard. Nevertheless, mostly because of the charm of Miss May McAvoy, as well as the no-nonsense realism of crusading George Fawcett (even though Mr. Fawcett makes the character far too bitter in the final reel for what seemed – up to that point in the narrative – a light, romantic comedy), the movie still managed to appeal to me despite its change of heart and despite the unbelievable miscasting of Jack Mulhall as our young lady's suitor. Uncle Carl must have had rocks in his head the day he handed Muckhall – I mean Mulhall – such an unsuitable role! Jack tries hard, but that's just the problem – it's too evident!

Now let's take a look at the full version: This time, Mulhall has almost exactly the same footage, but this time he seems just right for the part. How does this miracle come about? In the full movie, he has a crucial little scene early on which only runs for a few minutes, but it changes the whole aspect of his character and we are now given a reason – an excellent reason – for his somewhat hesitant portrayal. In fact, nobody else I can think of would have had the nerve to play the role so well. His co-star, pert May McAvoy, also comes across more pleasingly, while George Fawcett provides good contrast as the dad who takes a set against our hapless hero. Another pleasing touch is that the Fawcett character – although ostensibly a sympathetic role – is presented negatively right from the start, so we don't trust him, whereas in the cutdown he is presented as a 100% good guy. This shifts the burden of carrying the can to petite May McAvoy who seems unnaturally disobedient and unruly whereas it's actually the Fawcett character who's at fault. Mulhall's parents and companions are also presented far more negatively right from the start whereas in the cutdown they are merely figures of fun and we wonder why McAvoy and her dad react so negatively to them.

Well that was certainly a wake-up call, While we can be thankful that so many silent movies survive as 5-reel Kodascope cutdowns, in some cases the whole atmosphere of the original movie can be changed. Heroes can become villains while villains can become heroes!
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Charming May McAvoy
kidboots16 March 2013
Warning: Spoilers
"The Mad Whirl" hardly reached the dizzying heights of jazz mad revelry as depicted in some of the early titles. In the first half, the Herringtons have made their house open to the local flapper set, all in the name of being "companions" to their son Jack (Jack Mulhall) whose fast living is giving him a dependence on alcohol. William Seiter worked mainly for Universal and was able to present ordinary, contemporary life without distortion or giving his films a typical Hollywood look.

Into Jack's life comes childhood friend, Cathleen Gillis (May McAvoy), daughter of local druggist (George Fawcett) who has nothing but contempt for the Herrington family and their fast life style. In the double standards of small town life the Herringtons look down their nose at Gillis because he was once a publican but prohibition hasn't stopped the liquor flowing freely at their house. When Jack rescues Cathleen from a runaway buggy they have a heart to heart and she tries to convince him to do something positive with his life but, in a scene that rings true to life, as often as he promises, he falls off the waggon. The last part becomes very preachy as Jack begins his battle with the bottle in earnest and George Fawcett, in the film's best scene, has a showdown with the parents who he renounces for their loose living where "girls and boys are turned into idlers and lawbreakers" just because they want to keep pace with their boy instead of being real parents.

May McAvoy and Jack Mulhall were both thriving stars at the time but by the end of the 1920s they were almost through - Mulhall carried on in poverty row programmers but McAvoy had her last substantial film role in 1929 with "No Defense". A story had got abroad that she lisped and McAvoy spent many years refuting it, to no avail. It was odd because she made 6 talkies in 1929 and became known as "the Vitaphone Girl".

Highly Recommended.
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