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Die Nibelungen: Siegfried (1924)

Unrated | | Adventure, Drama, Fantasy | 1924 (Poland)
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »

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Cast

Complete credited cast:
...
...
...
...
Theodor Loos ...
Hans Carl Mueller ...
Erwin Biswanger ...
...
...
Hardy von Francois ...
Georg John ...
Frida Richard ...
Yuri Yurovsky ...
Der Priester (as Georg Jurowski)
Iris Roberts ...
Der Edelknabe
Rest of cast listed alphabetically:
Fritz Alberti ...
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Storyline

Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to win Krimhild, a mask that makes him invisible proves to be very useful. But because Brunhild is cursing Kriemhild, she tells her what really happened. Now Brunhild wants Siegfried's head. Is Gunther going to do her that favor? Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

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Plot Keywords:

king | dragon | treasure | sword | spear | See All (81) »


Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

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Release Date:

1924 (Poland)  »

Also Known As:

Die Nibelungen  »

Company Credits

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Technical Specs

Runtime:

(restored integral) | (Belgian Filmmuseum, Brussels)

Sound Mix:

| (US release)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

A music score was recorded using the DeForest Phonofilm sound-on-film process. However, this soundtrack version was presented only at the Century Theater in New York City beginning on 30 August 1925. See more »

Goofs

The tip of the spear Siegfied is killed with exits through the chest. Since Siegfried is invulnerable except at the entry point this should not be possible. The same impossible chest wound is shown later to be the one bleeding when the murderer enters the room. See more »

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User Reviews

Superb fantasy
11 May 2000 | by (Chicago, IL) – See all my reviews

I saw this on the big screen with live organ accompaniment (from the original film score) last night and I'm glad I did. Most people don't know Fritz Lang for anything before *Metropolis*, but this is a film which, to my mind, matches the best of what he has done. It's incredible to see what they were able to do with the wild set design. The score was suitably intense at moments. And the story was a pretty touching one about the fall of Siegfried.

The scenes I was amazed by in particular are: the dragon-slaying sequence (which, at first, elicited laughs because of the obvious artificiality of the creature but then got sounds of pity as he lay slain with blood shooting from his torso); Kriemhild's dream sequence, which has to be the earliest example of animation I've seen (the animation and accompanying music are pretty dark and disturbed--they gave me the creeps); and the approach to Brunhilde (with an incredible sea of fire). What I've come away with is even more of an appreciation for what filmmakers were capable of in the silent period. It seems clear after a film like *Siegfried* that silent film was not an infant technology waiting for sound but was an artform of its own.

All in all, I'd say this is a must-see. It's clearly not just preparation for the "great" films of Lang to come (like *Metropolis* and *M*), but is on par with any of the best of his stuff. This and *Dr. Mabuse, the Gambler*, both Lang films which are rarely screened, should be caught if at all possible.


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