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Die Nibelungen: Kriemhilds Rache (1924)

Not Rated | | Adventure, Drama, Fantasy | 26 April 1924 (Germany)
After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »

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Cast

Cast overview, first billed only:
...
...
Theodor Loos ...
Hans Carl Mueller ...
Erwin Biswanger ...
...
...
Hardy von Francois ...
Yuri Yurovsky ...
Der Priester (as Georg Jurowski)
Iris Roberts ...
Der Edelknabe
...
König Etzel
Georg John ...
Hubert Heinrich ...
Rudolf Rittner ...
Annie Röttgen ...
Dietlind, seine Tochter
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Storyline

After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that they kill Hagen, the murderer of Siegfried, but he is protected by her brothers. A fierce battle begins to force her brothers to give Hagen to her. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

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Plot Keywords:

attila | king | hun | siegfried | oath | See All (79) »


Certificate:

Not Rated | See all certifications »

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Details

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Release Date:

26 April 1924 (Germany)  »

Also Known As:

Die Nibelungen: Kriemhild's Revenge  »

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Technical Specs

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Attila's castle was built life-size. The fire was started by Fritz Lang himself by shooting an arrow, tipped with burning magnesium, onto the roof. See more »

Goofs

At roughly 1:14:25 as the Hun are exiting the caves, they reuse the same shot twice. They film them coming out of the caves, cut to a shot inside, then back outside of the cave. It is the same shot but shorter. See more »

Connections

Follows Die Nibelungen: Siegfried (1924) See more »

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User Reviews

 
Revenge on an operatic scale
4 April 2010 | by (United States) – See all my reviews

This film portrays revenge on an operatic scale. But do not confuse with Wagner's opera Das Ring des Nibelungen. Although both the film and Wagner's opera are based on related Norse and Icelandic sagas, Wagner devotes attention to Brünnhilde's reaction to the death of Siegfried rather than on Siegfried's widow Gutrune's (i.e. Kriemhilde's) reaction to the murder of the hero. Both the film and the opera are romantic in style. But unlike the 19th century opera, the film has elements of early 20th-century German expressionism. Everything about this film is perfect. The acting is over the top, as it needs to be. The sets are sublime. The crowd scenes are powerful. Imagine a film where the heroine makes Attlla the Hun (Etzel) seem like a reasonable, sympathetic host.


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